Publishing =
the map.
The melody and lyrics—the underlying song. The map exists before anyone sails the route.
UA
RIGHTS INFRASTRUCTURE · WORLDWIDE
Your royalties
are not lost.
They are hidden.
We know where to look.
Distribution, publishing and neighbouring rights for Ukrainian artists working beyond borders.
Find the missing money ↗
50.4501° N · 30.5234° E — KYIV
ROUTE: UA → EU → GLOBAL
FIG. 01 — CATALOGUE TRAJECTORY
THE PROBLEM
Most artists we speak to are leaving money behind.
UP TO 50%
of publishing income alone goes uncollected in the catalogues we review.
Some artists lose money because nobody collects it. Others because too many people do.
Not because the music failed. Because the rights infrastructure did.
Publishing =
Master =
the ship.
The exact recording you hear: vocals, instruments, production and mix. One song can create many masters.
Performance =
the crew.
The people who performed on that recording. Their work can generate neighbouring-rights income.
Distribution moves the ship.
Publishing pays the map owners.
Neighbouring rights pay the ship owner and crew when the recording is used.
SAME SONG.
DIFFERENT RIGHTS.
ALL OF THEM MATTER.
Three layers.
One roof.
ONE SYSTEM · THREE REVENUE LAYERS
IDEAL: ALL THREE UNDER ONE ROOF
IDEAL: ALL THREE UNDER ONE ROOF
01
Distribution
Direct delivery, clean metadata and release support across Spotify, Apple Music, YouTube and the platforms that matter. No white-label middle layer.
YOUR MASTERS. YOUR DATA.
02
Publishing
We register works, resolve split and credit gaps, and collect publishing income across territories—not only where you live.
EVERY WORK. EVERY TERRITORY.
03
Neighbouring rights
We identify performer and master-owner income that distribution does not cover, then put the right claims in place.
THE MONEY AFTER THE STREAM.
FULL STACK ✓
Everything under one roof. One contact, one dataset, nothing leaks between providers.
THE DIVISION OF LABOUR · 02
Make better music.
Market it better.
Leave the codes to us.
Metadata, splits, credits, registrations, identifiers, claims and reporting. This is not extra administration for us. This is our daily work and our core business.
Many of our clients now focus their labels on creation and expansion. They do not spend the week saving five cents in administration while losing euros in rights.
YOUR FOCUS: MUSIC + MARKETINGOUR FOCUS: EVERYTHING THAT GETS IT PAID
WHY US
We have seen where this goes.
We know the world where the songwriter is a ghost and the producer is not in the metadata—let alone the credits or the master points.
We also know that market does not work. Rights are not paperwork after the music. They determine whether great writers and producers can keep making it.
If nobody else will step up, we will.
We ask who wrote it, who produced it and who owns what. We defend the people and catalogues we represent—even when that makes us the difficult call.
DIRECT DSP RELATIONSHIPSNOT A RESELLER
GLOBAL RIGHTS COLLECTIONNOT ONE PRO
HUMAN CATALOGUE CONTROLNOT A DASHBOARD
THE RECEIPTS · 03
This is not
theory.
We rarely open a catalogue and find nothing to improve.
DIRECT DSP RELATIONSHIPSDISTRIBUTION + PUBLISHING + NEIGHBOURING RIGHTSONE TEAM · ONE CATALOGUE VIEWEUROPEAN RIGHTS INFRASTRUCTURE · GLOBAL COLLECTION
THIS IS PROBABLY FOR YOU IF
You are Ukrainian.
Your career is international.
01Your music is streamed outside Ukraine
02You write, produce or perform on released tracks
03You work with multiple labels, distributors or PROs
04You are not sure you are getting paid for all your work
START HERE
Let us check
the whole picture.
Send one Spotify link and tell us what you are building. A catalogue shows us the music. We need to understand the artist, the team and the ambition before we can know whether the fit is real.