Where the money actually comes from.
Scroll. Every revenue layer drops into the board piece by piece until the full catalogue picture locks into place.
35%
of earnings come from DSP streaming — Spotify, Apple Music, YouTube. The layer everyone sees, and usually the only one that is covered.
+15%
sits in the composition — melody and lyrics. Registrations, splits and collection across every territory, not just where you live.
+10%
comes from the recording being used — radio, public performance, broadcast. Money for performers and master owners that distribution never touches.
+10%
film, ads, games, UGC and everything in between. Small on its own — decisive when the rest of the stack is already clean.
+20%
comes from the stage — touring, festivals, club shows. Live performance royalties and setlist reporting are part of the same rights picture.
+5%
physical and print-on-demand merch. Small percentages, loyal audiences — clean margins when the operations are set up right.
+5%
brand partnerships, social collabs and creator funds. Where music meets attention — and contracts decide who actually gets paid.
100% only exists under one roof.
Split across providers, the layers stop talking to each other — and the gaps are where your money disappears.
Check my catalogue ↗No blanket commission. Our share exists only where we do the work.
We participate only in the value we help create or collect. Scope and share are agreed upfront and apply only to the revenue streams we actively manage. Everything outside that scope remains yours. No hidden deductions. No surprises.
Are you sure you want to do this to yourself?
The board above is the simple version. The next one breaks every layer into Spotify, Apple Music, YouTube, mechanicals, performance income, sync, live, merch and more — one source at a time.
Yes. Show me every source↗ You asked for the rabbit hole.